Please use this identifier to cite or link to this item: http://www.repository.rmutt.ac.th/xmlui/handle/123456789/1195
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dc.contributor.authorKanakarn Ruxpaitoon, Naokazu Aoki and Hiroyuki Kobayashi
dc.date.accessioned2014-01-27T04:36:35Z
dc.date.accessioned2020-09-24T04:44:21Z-
dc.date.available2014-01-27T04:36:35Z
dc.date.available2020-09-24T04:44:21Z-
dc.date.issued2013
dc.identifier.urihttp://www.repository.rmutt.ac.th/dspace/handle/123456789/1195-
dc.descriptionACA2013Thanyaburi: Blooming Color for Life December 11-14, 2013en_US
dc.description.abstractThai dynasties consist of Ayuthaya(1351-1767) and Bangkok(1782-Present).The culture and diplomatic features were different in each dynasty. Most historical wall paintings of Thailand were drawn in the temple. In the present study, colors used in Thai wall paintings of various dynasties were measured and plotted in the L*a*b* color space. Representative colors were obtained by K-means clustering in combination with 2 step clustering, and their characteristics were discussed by comparing with Pompeii (first century) and Renaissance fresco (15th century). It was found that Thai wall paintings in Bangkok dynasty were influenced by Europe and the way of using color was very similar to European way at renaissance time. In addition, impressions of the color arrangement of these paintings were obtained by a color image scale.en_US
dc.language.isoenen_US
dc.publisherRajamangala University of Technology Thanyaburi Faculty of Mass Communication Technologyen_US
dc.subjectThai dynasty periodsen_US
dc.subjectWall paintingsen_US
dc.subjectRepresentative colorsen_US
dc.subjectImpression of color arrangementen_US
dc.subjectPerspective techniquesen_US
dc.subjectDepth feelingen_US
dc.titlePictorial expression techniques used in the wall painting of each thai dynasty perioden_US
dc.typeOtheren_US
Appears in Collections:ประชุมวิชาการ (Proceedings - MCT)

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